moving pictures



I started working with moving pictures because I wanted to make art that kept changing and included sound. Working with video timelines, which accept anything that can be digitized, has radically altered my approach to everything from writing to sculpture to performance to painting. And it's greatly extended my thinking about deep time in artworks, as well as my life.

More: the light I love most arrives in darkness, I'm drawn to what appears and disappears, prize translucency above clarity, work that's easily available in a global context, and enjoy hours of nudging computers to show off the surprises they have to offer.

  The Last Journey of a Very Old Man  
  A Book of Days in 2013  
  Ocean View  
History Undone